Lucie Páchová
At the core of her practice lies an interest in exploring the phenomenon of listening and its many layers. Lucie sees listening as a primal source of connection, relation, support, and care.
At the core of her practice lies an interest in exploring the phenomenon of listening and its many layers. Lucie sees listening as a primal source of connection, relation, support, and care.
is a singer who operates on the border of musical genres, primarily in the field of contemporary and experimental music. A lyric soprano, she studied opera singing at the Janáček Academy of Music in Brno (JAMU) and the Academy of Performing Arts in Bratislava (VŠMU)
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
is an award-winning Polish jazz guitarist, composer, and bandleader who has been pursuing his artistic vision for over two decades. His work is defined by a consistent dialogue between different cultures and musical styles, driven by a curiosity to explore the boundaries of jazz.
Vanessa Mattei Scarpaccini is a young artist who explores the gifts the body can offer to space, time, and their rhythm. She grew up in the countryside of Tuscany with a Polish mother and an Italian father, and from a very young age, she began exploring movement languages, with a primary focus on contemporary dance. She has collaborated with musicians and art galleries, beginning to develop an approach based on the “state” as the starting point of every act of care that the body can manage.
Edith Steyer is a free improvising and composing clarinet and alto saxophone player with her roots in jazz and classical music. She prepares her instruments with music tools and elements from every day life. She also experiments and combines the prepared instruments with electronic devices and feedback.