The crown of sound. Philosophie von Razvan Marchis
Dance.. just like music is the crown of sound, dance is the crown of movement in my view.
VANESSA SCARPACCINI
Wie lange noch. Philosophie von Vanessa Mattei Scarpaccini
If there is a philosophy I wish to embrace, I would choose not to give it a name. Lately I feel my dance really close to these lines from the book "South of the Border, West of the Sun" by Murakami.
Ohne Namen. Philosophie von Isabel Anders
If there is a philosophy I wish to embrace, I would choose not to give it a name.
Isabel Anders
German/Cuban pianist, composer, and improviser. Her intention with improvisation is to conduct a musical dialogue with the other performers, and to let ideas and inspiration from various sources and art forms merge in a non-elitist manner into a timeless form of expression.
Lucie Páchová
At the core of her practice lies an interest in exploring the phenomenon of listening and its many layers. Lucie sees listening as a primal source of connection, relation, support, and care.
Jana Vondrů
is a singer who operates on the border of musical genres, primarily in the field of contemporary and experimental music. A lyric soprano, she studied opera singing at the Janáček Academy of Music in Brno (JAMU) and the Academy of Performing Arts in Bratislava (VŠMU)
Peter Ole Joergensen
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
Didrik Ingvaldsen
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
M.A.C.H.
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
Zaneta Vítová
Yi-Wei Yang is a Taipei-based Zheng player trained in classical and modern Chinese music, as well as traditional Taiwanese Beiguan and Nanguan, and free improvisational music. Currently, she is focusing on exploring the relationship between music and dance through improvisation, while incorporating experimental zheng technique and unorthodox textures.
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